City of Night I
City of Night I

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby to stop and acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night II
City of Night II

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night III
City of Night III

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night IV
City of Night IV

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night V
City of Night V

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night VI
City of Night VI

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night VII
City of Night VII

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night VIII
City of Night VIII

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night IX
City of Night IX

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night X
City of Night X

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

 

Mordancage I
Mordancage I

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Mordancage II
Mordancage II

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Mordancage III
Mordancage III

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Mordancage IV
Mordancage IV

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Mordancage V
Mordancage V

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Mordancage VI
Mordancage VI

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Structure I
Structure I

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Structure II
Structure II

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Structure IV
Structure IV

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Structure III
Structure III

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Structure V
Structure V

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Structure VI
Structure VI

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Aftermath I
Aftermath I

Palladium Print.

Aftermath II
Aftermath II

Palladium Print.

Aftermath III
Aftermath III

Palladium Print.

Aftermath IV
Aftermath IV

Palladium Print.

Aftermath V
Aftermath V

Palladium Print.

Aftermath VI
Aftermath VI

Palladium Print.

Fed
Fed

Cyanotype toned in coffee.

Jon
Jon

Cyanotype toned in coffee.

Laura
Laura

Cyanotype toned in coffee.

Sam
Sam

Cyanotype toned in coffee.

Patrick
Patrick

Cyanotype toned in coffee.

Hunter & Sydney
Hunter & Sydney

Cyanotype toned in coffee.

Chicamuga
Chicamuga

Salted Paper Print.

Ft. Pulaski
Ft. Pulaski

Salted Paper Print.

Cabin
Cabin

Salted Paper Print.

Stone Mt.
Stone Mt.

Salted Paper Print.

Sweetwater Mill
Sweetwater Mill

Salted Paper Print.

City of Night I
City of Night II
City of Night III
City of Night IV
City of Night V
City of Night VI
City of Night VII
City of Night VIII
City of Night IX
City of Night X
Mordancage I
Mordancage II
Mordancage III
Mordancage IV
Mordancage V
Mordancage VI
Structure I
Structure II
Structure IV
Structure III
Structure V
Structure VI
Aftermath I
Aftermath II
Aftermath III
Aftermath IV
Aftermath V
Aftermath VI
Fed
Jon
Laura
Sam
Patrick
Hunter & Sydney
Chicamuga
Ft. Pulaski
Cabin
Stone Mt.
Sweetwater Mill
City of Night I

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby to stop and acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night II

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night III

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night IV

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night V

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night VI

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night VII

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night VIII

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night IX

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

City of Night X

Many things change when the sun goes down, but the figures posed in shop windows remain taut and attentive. Meticulously posed and creatively lit, these mannequins seem unaware of the world beyond their window. Even after dark and the eager shoppers have gone to bed, they sit and watch, desperately waiting for some passerby and stop to acknowledge their superficial beauty. Although these subjects are inherently commercial, they are shot with long exposures and printed with an antique photo process in order to emphasize a feeling of mystery and timelessness.

Gold-toned Salt Print.

 

Mordancage I

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Mordancage II

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Mordancage III

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Mordancage IV

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Mordancage V

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Mordancage VI

A silver gelatin photogram, processed in standard chemistry and washed, then soaked in bleach and redeveloped. Yellowing is due to chemical staining and oxidization.

Structure I

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Structure II

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Structure IV

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Structure III

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Structure V

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Structure VI

Digital capture with an overlay in Photoshop. Palladium Print from digital negative.

Aftermath I

Palladium Print.

Aftermath II

Palladium Print.

Aftermath III

Palladium Print.

Aftermath IV

Palladium Print.

Aftermath V

Palladium Print.

Aftermath VI

Palladium Print.

Fed

Cyanotype toned in coffee.

Jon

Cyanotype toned in coffee.

Laura

Cyanotype toned in coffee.

Sam

Cyanotype toned in coffee.

Patrick

Cyanotype toned in coffee.

Hunter & Sydney

Cyanotype toned in coffee.

Chicamuga

Salted Paper Print.

Ft. Pulaski

Salted Paper Print.

Cabin

Salted Paper Print.

Stone Mt.

Salted Paper Print.

Sweetwater Mill

Salted Paper Print.

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